u/Collector2012

https://giphy.com/gifs/Wl3FgXo9JSqBy

I do agree to this. I am more worried that that the film capturing bigfoot would have a devastating domino affect that would cause a witch hunt against anyone that believes in Bigfoot.

Personally, I think it shouldn't be proven if bigfoot is real or not. The world need more fascinating mystery now more than ever.

Not unless it was properly stored, dipshit. There is a thing called vintage footage where people literally sell blank film reels from the 60s and 70s that were stored in freezers/coolers. Then touched up with modern day tech to give it more life than it did. Go through my claim again and actually look at everything that I said. They are real places.

Try watching Horror from the high desert series. It has that exact style of footage used. So, either bring actual credible evidence or learn how to read

Know what? I'm done talking to you. Your pissed because I found evidence that can prove this documentary is a 100% fake. So, your twisting my words and picking what you can use as an argument against me to make me look like I'm insane. So, here's evidence jackass

So, to help prove my point that the new holy Grail footage is infact made with old film.... Here is where you can buy the film!!!!! Plus, I was a really talented artist that lost his drive to make art. I also studied the human anatomy to make my art as accurate as possible. I've also used AI to make AI digital art as accurate as possible. So while, I may not have produced any art. My skills and ability to spot abnormalities and oddities are still there. From the posture, the gate, to how the suit interacts with the person that is wearing it. So, watch your mouth the next time you say I'm shit. I was practicing art for over 15 plus years with multiple awards in it.

Where to Buy Vintage 16mm Film Stock

• Du-All Camera: Offers individual factory-sealed cans of expired cinematic 16mm stock, including rare formats like vintage Kodak Kodachrome II and Ektachrome reversal films suitable for scratch testing or retro filming projects. • eBay: Features a massive, rotating inventory of vintage film goods. You can secure rare collector lots like Fujifilm F-500 Super F Series 16mm Film or browse broad selections on their dedicated eBay 16mm Film Stocks Landing Page to bid on historical celluloid. • Recycled Photo: Sells fully sealed, room-temperature stored vintage format stocks, specializing in niche historical pieces like Minolta 16 16mm Color Slide Film and high-detail fine grain surveillance or document film reels. • Invaluable: Hosts specialty estate sales and historical collections where you can bid on pristine multi-box bundles of analog film, including 1960s Kodak Tri-X and Plus-X Reels preserved directly on daylight spools. • Ace Photo: Carries distinct vintage assets like 1957 Kodak Kodachrome 16mm Magazine Film tailored perfectly for achieving a raw, old Hollywood aesthetic or experimental camera projects. • Etsy: Provides access to various private collectors offloading vintage industrial reels, home movies, and individual blank stocks on the Etsy 16mm Vintage Market for artistic development and film projects.

Here is where to buy the camera

Where to Buy 16mm Movie Cameras

• Cardinal Camera Used: A trustworthy destination for fully operational, mechanically tested setups. You can routinely find entry-level vintage kits like a Cine Kodak Model K 16mm Kit for simple projects, or step up to a workhorse Bolex Vintage H16 Movie Camera for reflex filmmaking. • eBay: The largest rotating marketplace for open-market vintage gear. You can bid on unexamined bodies like a Vintage Kodak Cine-Kodak Special Body or grab highly complete user packages such as a multi-lens Vintage Bolex Paillard H16 Outfit. • Bernie's Photo Center: Specializes in beautiful mechanical historical options. They carry classic, spring-motor-driven models like the Bell & Howell Filmo 141-B or old-school Kodak Cine Model B units that preserve original mid-century styling. • National Camera Exchange: Offers clean, rated vintage cinema inventory, frequently stocking durable configurations like the Bell & Howell 70 DR 16mm Film Camera bundled with complete lens turrets and hard protective storage cases. • Etsy: Great for sourcing visual showpieces or individually inspected beginner units. Independent film curators use the platform to sell ready-to-run Krasnogorsk-3 K3 Reflex Cameras or beautiful collector pieces like an early Cine-Kodak Model E with Original Box.

Quick Gear Tips

• Test the Spring Motor: Most vintage 16mm consumer cameras (Filmo, Cine-Kodak, Bolex) use hand-cranked clockwork springs rather than batteries. Make sure the seller states the spring winds smoothly and runs consistently at different speeds. • Verify Film Perf Compatibility: Older cameras require "double-perf" film (holes on both sides), whereas newer 16mm stocks are often "single-perf". If you buy single-perf film, make sure your camera claw is compatible (like a later Bell & Howell Filmo 70-DR or a Krasnogorsk-3) so it doesn't tear the celluloid.

Here is how the absolute best tools on the market stack up for creating an authentic 1960s look:

1. Filmbox Pro (The Industry Gold Standard)

Filmbox is widely considered by professional colorists to be the most advanced mathematical model for faking film. It doesn't just overlay a look; it simulates the physics of light hitting a physical strip of celluloid. • Why it’s the best: Its Halation and Bloom algorithms are flawless. It perfectly recreates the red chemical glow around bright highlights that digital filters usually fail to mimic. • The Secret Weapon: It has a "Dust and Scratches" module that generates organic, randomized imperfections that never repeat, avoiding the digital loop pattern that exposes most fakes.

1. Dehancer Pro (The Best for Stock Accuracy)

If you want to pick an exact film stock from the mid-1960s and have your digital footage match its specific chemical DNA, Dehancer is the market leader. • Why it’s the best: It features incredibly deep profiles for vintage reversal and negative film stocks. • The Secret Weapon: Its Gate Weave and Film Breath tools are unmatched. It perfectly simulates the mechanical imperfection of a 1960s camera, causing the image to subtly wobble, shift, and fluctuate in exposure from frame to frame just like a real mechanical camera claw would.

1. DaVinci Resolve Studio (The Best Core Engine)

While you can run Dehancer inside Premiere Pro or After Effects, DaVinci Resolve Studio is the best host software on the market. • Why it’s the best: Resolve operates in a high-fidelity color space (DaVinci Wide Gamut) that allows you to manipulate color without breaking the digital image. • The Secret Weapon: Resolve Studio includes a native Film Look Creator tool built right into the software, allowing you to instantly generate authentic 16mm sub-textures, density shifts, and color profiles without even needing third-party plugins.

The Winning Formulation

To create a look that completely fools the viewer, the best workflow on the market is to shoot your footage digitally with clean, sharp lenses, bring it into DaVinci Resolve, and place Filmbox or Dehancer at the very end of your color correction workflow.

Please note, I used GOOGLE to find this stuff.... So I will say it again.... THE NEW FOOTAGE IS FUCKING DOG SHIT!!!!!!

So, to help prove my point that the new holy Grail footage is infact made with old film.... Here is where you can buy the film!!!!!

Where to Buy Vintage 16mm Film Stock

• Du-All Camera: Offers individual factory-sealed cans of expired cinematic 16mm stock, including rare formats like vintage Kodak Kodachrome II and Ektachrome reversal films suitable for scratch testing or retro filming projects. • eBay: Features a massive, rotating inventory of vintage film goods. You can secure rare collector lots like Fujifilm F-500 Super F Series 16mm Film or browse broad selections on their dedicated eBay 16mm Film Stocks Landing Page to bid on historical celluloid. • Recycled Photo: Sells fully sealed, room-temperature stored vintage format stocks, specializing in niche historical pieces like Minolta 16 16mm Color Slide Film and high-detail fine grain surveillance or document film reels. • Invaluable: Hosts specialty estate sales and historical collections where you can bid on pristine multi-box bundles of analog film, including 1960s Kodak Tri-X and Plus-X Reels preserved directly on daylight spools. • Ace Photo: Carries distinct vintage assets like 1957 Kodak Kodachrome 16mm Magazine Film tailored perfectly for achieving a raw, old Hollywood aesthetic or experimental camera projects. • Etsy: Provides access to various private collectors offloading vintage industrial reels, home movies, and individual blank stocks on the Etsy 16mm Vintage Market for artistic development and film projects.

Here is where to buy the camera

Where to Buy 16mm Movie Cameras

• Cardinal Camera Used: A trustworthy destination for fully operational, mechanically tested setups. You can routinely find entry-level vintage kits like a Cine Kodak Model K 16mm Kit for simple projects, or step up to a workhorse Bolex Vintage H16 Movie Camera for reflex filmmaking. • eBay: The largest rotating marketplace for open-market vintage gear. You can bid on unexamined bodies like a Vintage Kodak Cine-Kodak Special Body or grab highly complete user packages such as a multi-lens Vintage Bolex Paillard H16 Outfit. • Bernie's Photo Center: Specializes in beautiful mechanical historical options. They carry classic, spring-motor-driven models like the Bell & Howell Filmo 141-B or old-school Kodak Cine Model B units that preserve original mid-century styling. • National Camera Exchange: Offers clean, rated vintage cinema inventory, frequently stocking durable configurations like the Bell & Howell 70 DR 16mm Film Camera bundled with complete lens turrets and hard protective storage cases. • Etsy: Great for sourcing visual showpieces or individually inspected beginner units. Independent film curators use the platform to sell ready-to-run Krasnogorsk-3 K3 Reflex Cameras or beautiful collector pieces like an early Cine-Kodak Model E with Original Box.

Quick Gear Tips

• Test the Spring Motor: Most vintage 16mm consumer cameras (Filmo, Cine-Kodak, Bolex) use hand-cranked clockwork springs rather than batteries. Make sure the seller states the spring winds smoothly and runs consistently at different speeds. • Verify Film Perf Compatibility: Older cameras require "double-perf" film (holes on both sides), whereas newer 16mm stocks are often "single-perf". If you buy single-perf film, make sure your camera claw is compatible (like a later Bell & Howell Filmo 70-DR or a Krasnogorsk-3) so it doesn't tear the celluloid.

Here is how the absolute best tools on the market stack up for creating an authentic 1960s look:

1. Filmbox Pro (The Industry Gold Standard)

Filmbox is widely considered by professional colorists to be the most advanced mathematical model for faking film. It doesn't just overlay a look; it simulates the physics of light hitting a physical strip of celluloid. • Why it’s the best: Its Halation and Bloom algorithms are flawless. It perfectly recreates the red chemical glow around bright highlights that digital filters usually fail to mimic. • The Secret Weapon: It has a "Dust and Scratches" module that generates organic, randomized imperfections that never repeat, avoiding the digital loop pattern that exposes most fakes.

1. Dehancer Pro (The Best for Stock Accuracy)

If you want to pick an exact film stock from the mid-1960s and have your digital footage match its specific chemical DNA, Dehancer is the market leader. • Why it’s the best: It features incredibly deep profiles for vintage reversal and negative film stocks. • The Secret Weapon: Its Gate Weave and Film Breath tools are unmatched. It perfectly simulates the mechanical imperfection of a 1960s camera, causing the image to subtly wobble, shift, and fluctuate in exposure from frame to frame just like a real mechanical camera claw would.

1. DaVinci Resolve Studio (The Best Core Engine)

While you can run Dehancer inside Premiere Pro or After Effects, DaVinci Resolve Studio is the best host software on the market. • Why it’s the best: Resolve operates in a high-fidelity color space (DaVinci Wide Gamut) that allows you to manipulate color without breaking the digital image. • The Secret Weapon: Resolve Studio includes a native Film Look Creator tool built right into the software, allowing you to instantly generate authentic 16mm sub-textures, density shifts, and color profiles without even needing third-party plugins.

The Winning Formulation

To create a look that completely fools the viewer, the best workflow on the market is to shoot your footage digitally with clean, sharp lenses, bring it into DaVinci Resolve, and place Filmbox or Dehancer at the very end of your color correction workflow.

Please note, I used GOOGLE to find this stuff.... So I will say it again.... THE NEW FOOTAGE IS FUCKING DOG SHIT!!!!!!

So, to help prove my point that the new holy Grail footage is infact made with old film.... Here is where you can buy the film!!!!!

Where to Buy Vintage 16mm Film Stock

• Du-All Camera: Offers individual factory-sealed cans of expired cinematic 16mm stock, including rare formats like vintage Kodak Kodachrome II and Ektachrome reversal films suitable for scratch testing or retro filming projects. • eBay: Features a massive, rotating inventory of vintage film goods. You can secure rare collector lots like Fujifilm F-500 Super F Series 16mm Film or browse broad selections on their dedicated eBay 16mm Film Stocks Landing Page to bid on historical celluloid. • Recycled Photo: Sells fully sealed, room-temperature stored vintage format stocks, specializing in niche historical pieces like Minolta 16 16mm Color Slide Film and high-detail fine grain surveillance or document film reels. • Invaluable: Hosts specialty estate sales and historical collections where you can bid on pristine multi-box bundles of analog film, including 1960s Kodak Tri-X and Plus-X Reels preserved directly on daylight spools. • Ace Photo: Carries distinct vintage assets like 1957 Kodak Kodachrome 16mm Magazine Film tailored perfectly for achieving a raw, old Hollywood aesthetic or experimental camera projects. • Etsy: Provides access to various private collectors offloading vintage industrial reels, home movies, and individual blank stocks on the Etsy 16mm Vintage Market for artistic development and film projects.

Here is where to buy the camera

Where to Buy 16mm Movie Cameras

• Cardinal Camera Used: A trustworthy destination for fully operational, mechanically tested setups. You can routinely find entry-level vintage kits like a Cine Kodak Model K 16mm Kit for simple projects, or step up to a workhorse Bolex Vintage H16 Movie Camera for reflex filmmaking. • eBay: The largest rotating marketplace for open-market vintage gear. You can bid on unexamined bodies like a Vintage Kodak Cine-Kodak Special Body or grab highly complete user packages such as a multi-lens Vintage Bolex Paillard H16 Outfit. • Bernie's Photo Center: Specializes in beautiful mechanical historical options. They carry classic, spring-motor-driven models like the Bell & Howell Filmo 141-B or old-school Kodak Cine Model B units that preserve original mid-century styling. • National Camera Exchange: Offers clean, rated vintage cinema inventory, frequently stocking durable configurations like the Bell & Howell 70 DR 16mm Film Camera bundled with complete lens turrets and hard protective storage cases. • Etsy: Great for sourcing visual showpieces or individually inspected beginner units. Independent film curators use the platform to sell ready-to-run Krasnogorsk-3 K3 Reflex Cameras or beautiful collector pieces like an early Cine-Kodak Model E with Original Box.

Quick Gear Tips

• Test the Spring Motor: Most vintage 16mm consumer cameras (Filmo, Cine-Kodak, Bolex) use hand-cranked clockwork springs rather than batteries. Make sure the seller states the spring winds smoothly and runs consistently at different speeds. • Verify Film Perf Compatibility: Older cameras require "double-perf" film (holes on both sides), whereas newer 16mm stocks are often "single-perf". If you buy single-perf film, make sure your camera claw is compatible (like a later Bell & Howell Filmo 70-DR or a Krasnogorsk-3) so it doesn't tear the celluloid.

Here is how the absolute best tools on the market stack up for creating an authentic 1960s look:

1. Filmbox Pro (The Industry Gold Standard)

Filmbox is widely considered by professional colorists to be the most advanced mathematical model for faking film. It doesn't just overlay a look; it simulates the physics of light hitting a physical strip of celluloid. • Why it’s the best: Its Halation and Bloom algorithms are flawless. It perfectly recreates the red chemical glow around bright highlights that digital filters usually fail to mimic. • The Secret Weapon: It has a "Dust and Scratches" module that generates organic, randomized imperfections that never repeat, avoiding the digital loop pattern that exposes most fakes.

1. Dehancer Pro (The Best for Stock Accuracy)

If you want to pick an exact film stock from the mid-1960s and have your digital footage match its specific chemical DNA, Dehancer is the market leader. • Why it’s the best: It features incredibly deep profiles for vintage reversal and negative film stocks. • The Secret Weapon: Its Gate Weave and Film Breath tools are unmatched. It perfectly simulates the mechanical imperfection of a 1960s camera, causing the image to subtly wobble, shift, and fluctuate in exposure from frame to frame just like a real mechanical camera claw would.

1. DaVinci Resolve Studio (The Best Core Engine)

While you can run Dehancer inside Premiere Pro or After Effects, DaVinci Resolve Studio is the best host software on the market. • Why it’s the best: Resolve operates in a high-fidelity color space (DaVinci Wide Gamut) that allows you to manipulate color without breaking the digital image. • The Secret Weapon: Resolve Studio includes a native Film Look Creator tool built right into the software, allowing you to instantly generate authentic 16mm sub-textures, density shifts, and color profiles without even needing third-party plugins.

The Winning Formulation

To create a look that completely fools the viewer, the best workflow on the market is to shoot your footage digitally with clean, sharp lenses, bring it into DaVinci Resolve, and place Filmbox or Dehancer at the very end of your color correction workflow.

Please note, I used GOOGLE to find this stuff.... So I will say it again.... THE NEW FOOTAGE IS FUCKING DOG SHIT!!!!!!

The new footage was faked by the director, and here is how it was possible.

Where to Buy Vintage 16mm Film Stock

• Du-All Camera: Offers individual factory-sealed cans of expired cinematic 16mm stock, including rare formats like vintage Kodak Kodachrome II and Ektachrome reversal films suitable for scratch testing or retro filming projects. • eBay: Features a massive, rotating inventory of vintage film goods. You can secure rare collector lots like Fujifilm F-500 Super F Series 16mm Film or browse broad selections on their dedicated eBay 16mm Film Stocks Landing Page to bid on historical celluloid. • Recycled Photo: Sells fully sealed, room-temperature stored vintage format stocks, specializing in niche historical pieces like Minolta 16 16mm Color Slide Film and high-detail fine grain surveillance or document film reels. • Invaluable: Hosts specialty estate sales and historical collections where you can bid on pristine multi-box bundles of analog film, including 1960s Kodak Tri-X and Plus-X Reels preserved directly on daylight spools. • Ace Photo: Carries distinct vintage assets like 1957 Kodak Kodachrome 16mm Magazine Film tailored perfectly for achieving a raw, old Hollywood aesthetic or experimental camera projects. • Etsy: Provides access to various private collectors offloading vintage industrial reels, home movies, and individual blank stocks on the Etsy 16mm Vintage Market for artistic development and film projects.

Here is where to buy the camera

Where to Buy 16mm Movie Cameras

• Cardinal Camera Used: A trustworthy destination for fully operational, mechanically tested setups. You can routinely find entry-level vintage kits like a Cine Kodak Model K 16mm Kit for simple projects, or step up to a workhorse Bolex Vintage H16 Movie Camera for reflex filmmaking. • eBay: The largest rotating marketplace for open-market vintage gear. You can bid on unexamined bodies like a Vintage Kodak Cine-Kodak Special Body or grab highly complete user packages such as a multi-lens Vintage Bolex Paillard H16 Outfit. • Bernie's Photo Center: Specializes in beautiful mechanical historical options. They carry classic, spring-motor-driven models like the Bell & Howell Filmo 141-B or old-school Kodak Cine Model B units that preserve original mid-century styling. • National Camera Exchange: Offers clean, rated vintage cinema inventory, frequently stocking durable configurations like the Bell & Howell 70 DR 16mm Film Camera bundled with complete lens turrets and hard protective storage cases. • Etsy: Great for sourcing visual showpieces or individually inspected beginner units. Independent film curators use the platform to sell ready-to-run Krasnogorsk-3 K3 Reflex Cameras or beautiful collector pieces like an early Cine-Kodak Model E with Original Box.

Quick Gear Tips

• Test the Spring Motor: Most vintage 16mm consumer cameras (Filmo, Cine-Kodak, Bolex) use hand-cranked clockwork springs rather than batteries. Make sure the seller states the spring winds smoothly and runs consistently at different speeds. • Verify Film Perf Compatibility: Older cameras require "double-perf" film (holes on both sides), whereas newer 16mm stocks are often "single-perf". If you buy single-perf film, make sure your camera claw is compatible (like a later Bell & Howell Filmo 70-DR or a Krasnogorsk-3) so it doesn't tear the celluloid.

Here is how the absolute best tools on the market stack up for creating an authentic 1960s look:

1. Filmbox Pro (The Industry Gold Standard)

Filmbox is widely considered by professional colorists to be the most advanced mathematical model for faking film. It doesn't just overlay a look; it simulates the physics of light hitting a physical strip of celluloid. • Why it’s the best: Its Halation and Bloom algorithms are flawless. It perfectly recreates the red chemical glow around bright highlights that digital filters usually fail to mimic. • The Secret Weapon: It has a "Dust and Scratches" module that generates organic, randomized imperfections that never repeat, avoiding the digital loop pattern that exposes most fakes.

1. Dehancer Pro (The Best for Stock Accuracy)

If you want to pick an exact film stock from the mid-1960s and have your digital footage match its specific chemical DNA, Dehancer is the market leader. • Why it’s the best: It features incredibly deep profiles for vintage reversal and negative film stocks. • The Secret Weapon: Its Gate Weave and Film Breath tools are unmatched. It perfectly simulates the mechanical imperfection of a 1960s camera, causing the image to subtly wobble, shift, and fluctuate in exposure from frame to frame just like a real mechanical camera claw would.

1. DaVinci Resolve Studio (The Best Core Engine)

While you can run Dehancer inside Premiere Pro or After Effects, DaVinci Resolve Studio is the best host software on the market. • Why it’s the best: Resolve operates in a high-fidelity color space (DaVinci Wide Gamut) that allows you to manipulate color without breaking the digital image. • The Secret Weapon: Resolve Studio includes a native Film Look Creator tool built right into the software, allowing you to instantly generate authentic 16mm sub-textures, density shifts, and color profiles without even needing third-party plugins.

The Winning Formulation

To create a look that completely fools the viewer, the best workflow on the market is to shoot your footage digitally with clean, sharp lenses, bring it into DaVinci Resolve, and place Filmbox or Dehancer at the very end of your color correction workflow.

Please note, I used GOOGLE to find this stuff. As to my knowledge of posting this, all of the materials remain accessible by the public.

So, to help prove my point that the new holy Grail footage is infact made with old film.... Here is where you can buy the film!!!!!

Where to Buy Vintage 16mm Film Stock

• Du-All Camera: Offers individual factory-sealed cans of expired cinematic 16mm stock, including rare formats like vintage Kodak Kodachrome II and Ektachrome reversal films suitable for scratch testing or retro filming projects. • eBay: Features a massive, rotating inventory of vintage film goods. You can secure rare collector lots like Fujifilm F-500 Super F Series 16mm Film or browse broad selections on their dedicated eBay 16mm Film Stocks Landing Page to bid on historical celluloid. • Recycled Photo: Sells fully sealed, room-temperature stored vintage format stocks, specializing in niche historical pieces like Minolta 16 16mm Color Slide Film and high-detail fine grain surveillance or document film reels. • Invaluable: Hosts specialty estate sales and historical collections where you can bid on pristine multi-box bundles of analog film, including 1960s Kodak Tri-X and Plus-X Reels preserved directly on daylight spools. • Ace Photo: Carries distinct vintage assets like 1957 Kodak Kodachrome 16mm Magazine Film tailored perfectly for achieving a raw, old Hollywood aesthetic or experimental camera projects. • Etsy: Provides access to various private collectors offloading vintage industrial reels, home movies, and individual blank stocks on the Etsy 16mm Vintage Market for artistic development and film projects.

Here is where to buy the camera

Where to Buy 16mm Movie Cameras

• Cardinal Camera Used: A trustworthy destination for fully operational, mechanically tested setups. You can routinely find entry-level vintage kits like a Cine Kodak Model K 16mm Kit for simple projects, or step up to a workhorse Bolex Vintage H16 Movie Camera for reflex filmmaking. • eBay: The largest rotating marketplace for open-market vintage gear. You can bid on unexamined bodies like a Vintage Kodak Cine-Kodak Special Body or grab highly complete user packages such as a multi-lens Vintage Bolex Paillard H16 Outfit. • Bernie's Photo Center: Specializes in beautiful mechanical historical options. They carry classic, spring-motor-driven models like the Bell & Howell Filmo 141-B or old-school Kodak Cine Model B units that preserve original mid-century styling. • National Camera Exchange: Offers clean, rated vintage cinema inventory, frequently stocking durable configurations like the Bell & Howell 70 DR 16mm Film Camera bundled with complete lens turrets and hard protective storage cases. • Etsy: Great for sourcing visual showpieces or individually inspected beginner units. Independent film curators use the platform to sell ready-to-run Krasnogorsk-3 K3 Reflex Cameras or beautiful collector pieces like an early Cine-Kodak Model E with Original Box.

Quick Gear Tips

• Test the Spring Motor: Most vintage 16mm consumer cameras (Filmo, Cine-Kodak, Bolex) use hand-cranked clockwork springs rather than batteries. Make sure the seller states the spring winds smoothly and runs consistently at different speeds. • Verify Film Perf Compatibility: Older cameras require "double-perf" film (holes on both sides), whereas newer 16mm stocks are often "single-perf". If you buy single-perf film, make sure your camera claw is compatible (like a later Bell & Howell Filmo 70-DR or a Krasnogorsk-3) so it doesn't tear the celluloid.

Here is how the absolute best tools on the market stack up for creating an authentic 1960s look:

1. Filmbox Pro (The Industry Gold Standard)

Filmbox is widely considered by professional colorists to be the most advanced mathematical model for faking film. It doesn't just overlay a look; it simulates the physics of light hitting a physical strip of celluloid. • Why it’s the best: Its Halation and Bloom algorithms are flawless. It perfectly recreates the red chemical glow around bright highlights that digital filters usually fail to mimic. • The Secret Weapon: It has a "Dust and Scratches" module that generates organic, randomized imperfections that never repeat, avoiding the digital loop pattern that exposes most fakes.

1. Dehancer Pro (The Best for Stock Accuracy)

If you want to pick an exact film stock from the mid-1960s and have your digital footage match its specific chemical DNA, Dehancer is the market leader. • Why it’s the best: It features incredibly deep profiles for vintage reversal and negative film stocks. • The Secret Weapon: Its Gate Weave and Film Breath tools are unmatched. It perfectly simulates the mechanical imperfection of a 1960s camera, causing the image to subtly wobble, shift, and fluctuate in exposure from frame to frame just like a real mechanical camera claw would.

1. DaVinci Resolve Studio (The Best Core Engine)

While you can run Dehancer inside Premiere Pro or After Effects, DaVinci Resolve Studio is the best host software on the market. • Why it’s the best: Resolve operates in a high-fidelity color space (DaVinci Wide Gamut) that allows you to manipulate color without breaking the digital image. • The Secret Weapon: Resolve Studio includes a native Film Look Creator tool built right into the software, allowing you to instantly generate authentic 16mm sub-textures, density shifts, and color profiles without even needing third-party plugins.

The Winning Formulation

To create a look that completely fools the viewer, the best workflow on the market is to shoot your footage digitally with clean, sharp lenses, bring it into DaVinci Resolve, and place Filmbox or Dehancer at the very end of your color correction workflow.

Please note, I used GOOGLE to find this stuff.... So I will say it again.... THE NEW FOOTAGE IS FUCKING DOG SHIT!!!!!!

So to add insult to injury. Here is where you can buy the film!!!!!

Where to Buy Vintage 16mm Film Stock

• Du-All Camera: Offers individual factory-sealed cans of expired cinematic 16mm stock, including rare formats like vintage Kodak Kodachrome II and Ektachrome reversal films suitable for scratch testing or retro filming projects. • eBay: Features a massive, rotating inventory of vintage film goods. You can secure rare collector lots like Fujifilm F-500 Super F Series 16mm Film or browse broad selections on their dedicated eBay 16mm Film Stocks Landing Page to bid on historical celluloid. • Recycled Photo: Sells fully sealed, room-temperature stored vintage format stocks, specializing in niche historical pieces like Minolta 16 16mm Color Slide Film and high-detail fine grain surveillance or document film reels. • Invaluable: Hosts specialty estate sales and historical collections where you can bid on pristine multi-box bundles of analog film, including 1960s Kodak Tri-X and Plus-X Reels preserved directly on daylight spools. • Ace Photo: Carries distinct vintage assets like 1957 Kodak Kodachrome 16mm Magazine Film tailored perfectly for achieving a raw, old Hollywood aesthetic or experimental camera projects. • Etsy: Provides access to various private collectors offloading vintage industrial reels, home movies, and individual blank stocks on the Etsy 16mm Vintage Market for artistic development and film projects.

Here is where to buy the camera

Where to Buy 16mm Movie Cameras

• Cardinal Camera Used: A trustworthy destination for fully operational, mechanically tested setups. You can routinely find entry-level vintage kits like a Cine Kodak Model K 16mm Kit for simple projects, or step up to a workhorse Bolex Vintage H16 Movie Camera for reflex filmmaking. • eBay: The largest rotating marketplace for open-market vintage gear. You can bid on unexamined bodies like a Vintage Kodak Cine-Kodak Special Body or grab highly complete user packages such as a multi-lens Vintage Bolex Paillard H16 Outfit. • Bernie's Photo Center: Specializes in beautiful mechanical historical options. They carry classic, spring-motor-driven models like the Bell & Howell Filmo 141-B or old-school Kodak Cine Model B units that preserve original mid-century styling. • National Camera Exchange: Offers clean, rated vintage cinema inventory, frequently stocking durable configurations like the Bell & Howell 70 DR 16mm Film Camera bundled with complete lens turrets and hard protective storage cases. • Etsy: Great for sourcing visual showpieces or individually inspected beginner units. Independent film curators use the platform to sell ready-to-run Krasnogorsk-3 K3 Reflex Cameras or beautiful collector pieces like an early Cine-Kodak Model E with Original Box.

Quick Gear Tips

• Test the Spring Motor: Most vintage 16mm consumer cameras (Filmo, Cine-Kodak, Bolex) use hand-cranked clockwork springs rather than batteries. Make sure the seller states the spring winds smoothly and runs consistently at different speeds. • Verify Film Perf Compatibility: Older cameras require "double-perf" film (holes on both sides), whereas newer 16mm stocks are often "single-perf". If you buy single-perf film, make sure your camera claw is compatible (like a later Bell & Howell Filmo 70-DR or a Krasnogorsk-3) so it doesn't tear the celluloid.

Here is how the absolute best tools on the market stack up for creating an authentic 1960s look:

1. Filmbox Pro (The Industry Gold Standard)

Filmbox is widely considered by professional colorists to be the most advanced mathematical model for faking film. It doesn't just overlay a look; it simulates the physics of light hitting a physical strip of celluloid. • Why it’s the best: Its Halation and Bloom algorithms are flawless. It perfectly recreates the red chemical glow around bright highlights that digital filters usually fail to mimic. • The Secret Weapon: It has a "Dust and Scratches" module that generates organic, randomized imperfections that never repeat, avoiding the digital loop pattern that exposes most fakes.

1. Dehancer Pro (The Best for Stock Accuracy)

If you want to pick an exact film stock from the mid-1960s and have your digital footage match its specific chemical DNA, Dehancer is the market leader. • Why it’s the best: It features incredibly deep profiles for vintage reversal and negative film stocks. • The Secret Weapon: Its Gate Weave and Film Breath tools are unmatched. It perfectly simulates the mechanical imperfection of a 1960s camera, causing the image to subtly wobble, shift, and fluctuate in exposure from frame to frame just like a real mechanical camera claw would.

1. DaVinci Resolve Studio (The Best Core Engine)

While you can run Dehancer inside Premiere Pro or After Effects, DaVinci Resolve Studio is the best host software on the market. • Why it’s the best: Resolve operates in a high-fidelity color space (DaVinci Wide Gamut) that allows you to manipulate color without breaking the digital image. • The Secret Weapon: Resolve Studio includes a native Film Look Creator tool built right into the software, allowing you to instantly generate authentic 16mm sub-textures, density shifts, and color profiles without even needing third-party plugins.

The Winning Formulation

To create a look that completely fools the viewer, the best workflow on the market is to shoot your footage digitally with clean, sharp lenses, bring it into DaVinci Resolve, and place Filmbox or Dehancer at the very end of your color correction workflow.

Please note, I used GOOGLE to find this stuff.... So I will say it again.... THE NEW FOOTAGE IS FUCKING DOG SHIT!!!!!!

The new ones? Or the old ones. What I am saying is that new footage is a load of fucking shit made on old footage stored from the 1960s, used on a camera that can run it, then ran through editing software.

The film was designed and aimed at mocking anyone that believes in Bigfoot and aims at painting Gimlinson a masterful Con-artist who in all actuality NEVER GOT OVER THR DEATH OF HIS BEST FRIEND!!!!!!!!! So you tell me, how would you feel too see some bullshit b film that you and your best friend made for laughs and is being weaponized against you after 60+ years of forgetting it ever existed. You'd probably act the same fucking way.

If anyone says otherwise, they are just full of themselves and are too diluted and idiotic to see the health ramifications this type of shit can have on an old man.

Funny enough, I took a picture of the OG footage and ran it through Gemini and got an image more real than whatever OP posted lmao 🤣🤣🤣

I can answer that. Its because it's a combination of old reel footage from a year earlier that was stored in a cooler somewhere (apparently, a lot got bought) then used with modern day technology to create footage that we see to disenfranchise and publicly humiliate the last living person who filmed the original footage due to hate and cruelty.

Its been reported that the makers of the new bigfoot movie are dead set on proving bigfoot is fake. They even ambushed the old man by showing footage that started to get him very upset (It was revealed that Patterson and Gimlinson were extremely good friends. So it's more than likely that he never got over Patterson's death and this movie just reopened old wounds that will more than likely cause unessassary stress and health complications on an old man than needed) that was when his wife cut off the footage and demanded that everyone leave.

In my personal opinion, if footage is used after someone demands that they leave should not be used unless they are willing to get into legal trouble. Its honestly sad and sickening that people are trying to destroy the very mystery of nature itself.

Politics ruin everything

https://giphy.com/gifs/WvkR9aqX1VfP2wCSWq

The porno that your mom was in