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So you want to be a better, more realistic drum programmer, eh?

829 points · submitted Sep 2016 by u/[deleted]

The biggest key to realistic drum programming is understanding the basics of drumming.

  • Start with learning some basics:
  • Ghost strokes - http://www.youtube.com/watch?v=n41IaVgtryI
  • Drags - http://www.youtube.com/watch?v=ERIKprd2F2A
  • Single Paradiddles - http://www.youtube.com/watch?v=oQIf5gObYLE
  • Poly-rhythm grooves - http://www.youtube.com/watch?v=mn4spSM5RF4

  • Using bass drums in Fills - http://www.youtube.com/watch?v=nQ6QzYKn6Yg

  • Next, choose a sequencer editor that is conducive to detailed work (I prefer Fruityloops, but garageband works too).

  • /edit - for very detailed work, I prefer using the Protools midi editor, as you can edit beyond bar sub divisions and go straight to the sample level to move notes around (useful for flams and humanizing).

  • Never re-use the same pattern exactly, unless the song specifically calls for it. Always change something, even if you cut/paste patterns. - Add in a ghost stroke, change a hi-hat velocity, or some other velocity on the snares, etc.

  • never use max velocity for individual instruments all the time. Save the max velocity hits for when you actually need max velocity dynamics. Sure, that heavy part might sound heavier with the snare velocities cranked the whole time, but it'll sound a lot more realistic if you save those hardest hits for special areas (end of drum fills, or accenting specific hits). Use small velocity changes.

  • For fills, remember that one hand is generally not going to be as loud as the other (16th note fills, make the "left hand" slightly lower in velocity than the "right hand") - same holds true for flams or 16th note hi-hat patterns

  • Crash cymbals - don't follow a full fill (left to right toms) with a crash on the left side of the kit....place the crash to the right, where a real drummer would. Also, don't continue programming hi-hat , or ride cymbal work right up until when the crash is needed. Give your virtual drummer a chance to reach the cymbal :)

  • Build your patterns the way the best drummers do - save the craziest material for later in the song - always lift the next part a little bit. So, 1st verse may be a bit more simple, second verse might be a little more intricate, etc.
    This can be something as simple as changing the hit hat pattern a little, or being a little more creative on the ride cymbal, or maybe using more ghost strokes.

  • When importing your midi into a DAW, use your DAW's quantize/randmize tools. Randomize the quantize settings to a 64th note and let it pull some notes ahead, or behind the beat a litte. Velocity randomization can also help here.

  • Use good samples! A great drum programmer can make most anything sound realistic, but a good sample set helps a LOT. Something with at least 4 distinct velocity samples per instrument. If the samples have a round robin sample change (Such as Easydrummer from toontrack) then that also helps a lot.

  • /edit - this may not be the best example, but here's a sample of what some of the above techniques sound like when programming a "drum solo": https://soundcloud.com/user-793053395/velocities-example-1

  • I've been programming drums since the early mid 90's when cakewalk and protools 1.something came out and would be happy to answer any questions for those wanting to know more.

So you want to be a better, more realistic drum programmer, eh?

124 comments · 95% upvoted · other discussions

comments

c0wfunk 17 points · Sep 2016

I've been programming drums since the early mid 90's

This is probably going to sound sarcastic, but I wonder:

Do you have any tips for making better less realistic drum beats? I don't necessarily want to trick people into thinking I have a live drummer and often emphasize that fact.. Any thoughts on this?

Some examples of what I mean that come to mind are Phil Collins' iconic beats from the 80s (tonight tonight tonight comes to mind), or David Byrne's 808 stuff from the beginning of stop making sense. yeah, I like 80s music ;)

Jedimastert 11 points · Sep 2016

Make every hit the exact same velocity

quantize/snap to the nearest 1/8 or 1/16 or whatever.

Repeat the same patterns and only have 2 or 3.

Generally, a simple pattern sounds more robotic

[deleted] 11 points · Sep 2016

And NEVER ADD SWING

pixel_juice 10 points · Sep 2016

I'm embarrassed by how long it took for me to even notice the swing function when I first started drum programming. Everything ended up sounding like NIN's "Closer".

Fun fact: The basic drum beat on "Closer" is actually a sample of Iggy Pop's "Nightclubbing". It comes full circle.

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c0wfunk 5 points · Sep 2016

im not sure robotic is quite what im usually going for, but thanks these are good thoughts.

[deleted] 8 points · Sep 2016

If you live-record with a midi controller (as opposed to penciling in a piano roll or "grid"), don't quantize, and if you do, quantize to as low as percentage as you can reasonably tolerate.

This is beneficial for a couple reasons, including that it makes you a better performer, because you have to rely on your own skills and timing. Over time, this will make you a great performer (at least at this task ;) and instead of the mistakes of a novice programmer, your drum tracks will have your signature, human, "groove." Unique, one-of-a-kind drum tracks, every time!

All this without having to learn what type of swing to add to your tracks, memorize "grid" patterns, customize velocities, whatever, cause you can just play the part how you want it the first time. I just use a keyboard.

Many greats program this way, the Neptunes, Timbaland, yada yada.

The idea is that you're playing parts/ patterns that aren't realistic, a la Phil Collins, Talking Heads, Prince, but they've got a hard-to-qualify "human" characteristic to them. Some top-end programs emulate this effect.

[deleted] 11 points · Sep 2016

If you live-record with a midi controller (as opposed to penciling in a piano roll or "grid"), don't quantize

And try to only quantize certain parts, such as the bass drum and snare. The ride cymbal (for instance) can be looser.

[deleted] 4 points · Sep 2016

Totally important concept.

[deleted] 9 points · Sep 2016

Actually, I should probably revise that comment: Try to play as on-time as possible and practice practice practice. Your parts should fall squarely, precisely where you want them, but it feels and sounds better when a human being is placing those notes rather than a machine. So when people say "don't quantize everything" that doesn't mean you shouldn't develop a great sense of rhythm and timing that comes from practice and dedication. It's not a blank check to create incompetent and loose rhythm parts. Practice your shit until you're better than the machine. Don't be one of those assholes who says "I don't want it TOO perfect." Trust me: If you think you're going to make something too perfect, you don't have the ear or experience to understand what that even means.

I'm sure you know that, though. I'm saying it more for the benefit of young 'uns Who might be perusing this thread.

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c0wfunk 2 points · Sep 2016

excellent tips. mostly im doing drums on my novation circuit which auto quantizes and has a swimg variable. i do usually finger drum the parts in rather than programming them so at least the velocity is variable that way.

alittlesadnow 2 points · Sep 2016

Doing it this way gives greater freedom and personal style.

Using a sp 404sx to make my music and nothing is quantized. I just use a clicktrack live.

This means I can adjust the swing amount, fills, pauses and timing very easily. Wouldn't have it any other way.

To add to your list, J Dilla and Fly Lo

bstix 5 points · Sep 2016

One thing I like to do to achieve a nice groove, without trying to mimic realistic drums, is to add a second (or third) drumkit. How often do you see bands with two drumkits on stage? Well, it happens, and it's usually pretty cool. There's no reason why you can't apply this instant coolness to your synthetic drums.

Another thing is trying to mimic a sampled beat instead of mimicking real drums. Ever notice how much cymbal is on sampled grooves? If you look into the sampled loops, you'll see cymbal tails and reverb from previous bars starting in the first bar. Do that. Cut the samples, start them from them wrong position, pitch them, loop sections, reverse them, vocode, distortion etc. etc. All of this is unnatural, but it's still "drums", and it can create all kinds of groovy stuff.

One of my favourite "drum" patches is actually random noises I recorded at home and simply USED as drums.

I know this isn't the kind of artificial 80s beat, that you specifically asked for, but I you want to make artificial beats, you might as well embrace the idea and let the machine take the beat to where humans can't. Computer drums doesn't have to be a poor mans substitute for real drums. Just as the 303 isn't really a substitue for bass guitar.

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ch0neb0ne 29 points · Sep 2016

Thanks for posting this, good tips. A few questions if you're answering.

Do you program in the grid or 'live' with looping and pad input?

Do you use a fixed velocity on the controller you're using and then use software to manually edit individual note velocities or 'record' them as well?

thanks

bajster 24 points · Sep 2016 · https://soundcloud.com/xerotheory

This came out as a giant block of text... Sorry lol.

I'm not OP, but ive been messing with similar software for over a decade. For your first question, unless i have an e-kit to play on, its all in the grid. Same thing with velocities. Unless you really know exactly what youre going for from the get go, its very difficult to program a beat with different velocities and get a good result. When i first start laying out a song, i dont worry about velocities or any of the small details. Lay out a beat first. Just kick, snare, hi-hat/ride, and a crash just to get the idea down. Then once i have a section laid out (a verse or chorus or whatever), ill start adding in toms and additional cymbals for fills and accents. Still not messing with velocities or quantized elements, just fleshing out the idea. Finally, once all thats said and done, then I'll start tweaking velocities. This is where being a drummer (or at least knowing one) comes in handy. Its super helpful to be able to visualize the movement of a drummers hands to understand when they hit harder or softer. Like OP said, the left hand is almost always the weaker of the two, so on straight RLRLRLRL fills, the right handed hits are a tad harder than the left (literally a tad though. I go for a 2-4% quieter hit for left handed hits). But if you start getting into more advanced techniques like paradiddles (RLLRLLRL type stuff) , fills that move all around the kit, or ghost notes, it helps to understand how the hands and sticks react to the drum being played. If youve never sat behind a kit before, i highly recommend digging into the masters of a few songs with a drumming style you enjoy (if you can get your hands on those masters. Theres lots of stuff available out there though if you know where to look), or watch videos on youtube and pay attention to how the velocity changes with different hits. Especially on denser/faster beats like 16th note hi-hat work. Not only is the velocity of each note different, but you may also notice a very slight dip across the whole section as fatigue sets in (long and fast double bass sections and blast beats for example), or the exact opposite, like a slight crescendo as one section leads into the next.

Granted, all of this information could be pretty useless if youre just looking for a backbeat and not something flashy (think The Strokes or AC/DC), but just like any other programmed instrument, the biggest key to passing it off as real is understanding how the real instrument works.

[deleted] 8 points · Sep 2016

^ this is good stuff ^

motophiliac 3 points · Sep 2016 · hearthis.at/a-just-machine/

Although the sound quality isn't perfect, the isolated drum tracks from Rosanna by Toto, played by Jeff Porcaro, is a great study in drum technique and dynamics.

[deleted] 3 points · Sep 2016

I almost always step edit, but occasionally use a keyboard to record via midi and use the velocities from the keys as a start, but will almost always randomize velocities in protools midi editor by about 5%. I'll then go back and smooth out the bass drum velocities, or crank them up on the choruses, etc.

HellaBrainCells 1 points · Sep 2016

What kind of music are you trying to make? I think a lot of these tips kind of depend on the genre.

semrenl 11 points · Sep 2016

The best thing I ever did for my drum programming was actually learning the instrument. Albeit poorly.

If you can't afford a kit, or more likely don't have the space or a consenting household, then I suggest following a tutor on YouTube and try to emulate everything he does from his kit setup to perceived velocity and so on.

Stephen Taylor is an excellent drum teacher on YouTube and pumps out videos constantly, he covers myriad styles and has videos ranging from 30 second fill videos to 15 minute in depth groove break downs. Well worth a look.

alittlesadnow 2 points · Sep 2016

Or at least getting practice pad and sticks and doing paradiddles

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alittlesadnow 22 points · Sep 2016

How do I become a less realistic drum programmer?

I want my drums to sound like water flowing through leaves in an old forest

telekinetic_turtle 9 points · Sep 2016 · https://soundcloud.com/man-from-sol

For that, you need a lot of foley and granular synthesis.

alittlesadnow 4 points · Sep 2016

I'm more going for the image of what they sound like, not actual leaves and water.

But now that you mention it, it would be an interesting project. Biome specific compositions. For example, a song made with only things found in the desert or only things found in the Arctic.

Joshie_the_Bear 4 points · Sep 2016

There was that one guy who made an entire song by playing with the prickles of a cactus..

las5h4 2 points · Sep 2016

Do you by chance have a link for who you're talking about? I think you're talking about my comp professor...

Joshie_the_Bear 2 points · Sep 2016

I tried finding it but I couldn't find it anywhere... All I could really find was this wiki article and this one YouTube video, neither of which is the exact video I'm thinking of :(

las5h4 4 points · Sep 2016

Yeah, so Paul Rudy from the wiki is who I did my undergrad with, I forgot that he admittedly took the idea from John Cage though. So who knows if that's what you saw originally. Sorry, I just had to ask :P

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staticpatrick 2 points · Sep 2016 · https://soundcloud.com/static-patrick

This is what i needed to read today. Thanks. Edit - also just misread your username as a little less sad now lol.

alittlesadnow 8 points · Sep 2016

Can I ask why you needed to hear this? Everything alright mate?

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Woofy92 6 points · Sep 2016

Great post!

Drum-related question: in your opinion, what's the best (most usable, can produce a good drum track) program / app out there for laying down a drum track from scratch? I'm a guitar player who presents material to his band via GarageBand hot takes, and most times those canned session drummers just don't match up to what I have in mind, so I'd like to start with a blank piece of paper and build it up. Plus, it's frustrating as all hell to try to pick out a canned beat you might want from the GB descriptions.

I'm not looking for something as robust is necessary for a finished product, but something easy that can get in the ballpark. Make sense? Thanks for your expertise!

[deleted] 5 points · Sep 2016

[deleted]

theunderwrittenmusic 3 points · Sep 2016 · https://soundcloud.com/theunderwritten

I wish EZDrummer's library was good.. I really really do, but I've never been able to get much out of it. It's sorely lacking in anything even barely unconventional, for instance I couldn't find in it's entire library a drum pattern that had emphasis on 1 and 3, rather than 1 and 2. ie, where you count "ONE two THREE four" rather than "ONE TWO three FOUR". Maybe their library is just sorely mismatched for the type of music I make though

EDIT: words

borisvladislav 3 points · Sep 2016

If you look around you can find tons of MIDI libraries that have a good deal more variation from the stock EZDrummer and Superior Drummer files. I have far more drum loops than I'll probably ever be able to listen to!

theunderwrittenmusic 2 points · Sep 2016 · https://soundcloud.com/theunderwritten

Where!? I bought a pack that helped out (groovemonkey I think?) some, but I'm always on the look out for more and where to get good quality ones!

jseego 3 points · Sep 2016

I think to answer this question OP would need to know whether you want to "perform" aka play the beats on pads or keys, or whether you would rather "program," aka come up with a pattern and tell a drum machine to play it.

a lot of plugins / apps are modeled on one approach, with a bit of the other thrown in.

or you could pick up something like this:

https://www.roland.com/global/products/tr-8/

Woofy92 3 points · Sep 2016

Great point - and thanks for the Roland suggestion. I'd probably be looking for a combo of both: primarily one where I could sequence a pattern, and then perhaps tap on some pads to get it completely right? I don't even know if that's possible...but I know I'm not a good enough drummer to tap out anything more than a standard 2 - 4 on a regular kid.

jseego 2 points · Sep 2016

One of the things I really like about the TR-8 is that it allows you to follow either approach. You can program beats, you can perform, or you can put it in like a looping mode, where you can perform the beats pad by pad and it will slowly build up the pattern.

It also has individual levels for all the sounds, and separate comp for the kick and snare sounds, and it's all analog modeled on some classic beatboxes.

Probably not what you're looking for if you want anything like realistic drum kit sounds, but if you like the "808" / beat box sound, it's pretty amazing. Maybe get down to a music store that has one and play around a bit.

jseego 2 points · Sep 2016

Btw, here's another tip, if you go the VST route.

Once you have a track that you like, open up a new stereo track, route the instrument track to it, enable record on it, and "print" the drum pattern to the audio track.

Then take the instrument track, and disable it.

You can always go back and change something on the instrument track, and re-print it to the audio track, but once you have something you like printed to audio, you can disable the VST track and save your DAW from having to run the (often intensive) VST for the rest of the session.

[deleted] 3 points · Sep 2016

Native Instruments' Battery 3 (not 4) is the most feature-rich, user friendly, efficient solution I've used, provided you have your own samples. Note repeat, a myriad of different articulations including three-stroke ruff, sample pitching & stretching, ADSR envelope, and much more under the hood have made it my go to for ~7 years now.

Beware, version 4 was nerfed.

[deleted] 2 points · Sep 2016

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[deleted] 2 points · Sep 2016

If you have a DAW and a sequencer to build on, ezdrummer is pretty great. they also have midi takes that real drummers have recorded previously that you can also edit in a sequencer.

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pixel_juice 5 points · Sep 2016

Thanks! A lot of useful info.

Might I suggest https://www.attackmagazine.com/technique/beat-dissected/ for some hands on programming examples that have really helped me.

crototype 4 points · Sep 2016

Great post. Saved for future reference. Thanks for sharing.

c0wfunk 3 points · Sep 2016

kick on the one, snare on the two, what else is there!? ;)

Rex_Lee 3 points · Sep 2016

Snare on the three?

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augmaticdisport 3 points · Sep 2016

Can you actually play drums?

[deleted] 2 points · Sep 2016

Yes and that helps a lot....but I wouldn't call myself great at it.

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Zackwetzel 2 points · Sep 2016

Thanks for the tips! Saved this post to refer to later in the studio

officialpaxmusic 2 points · Sep 2016

Thanks, saved

[deleted] 2 points · Sep 2016

[deleted]

[deleted] 3 points · Sep 2016

mixing sampled drums is really no different than doing real live drums, only the live mic headache is gone. You still have to route out the instruments via aux channels and use whatever compression, EQ, etc that you normally would use. Be SURE to route out the ambient room track from the Superior drummer mixer as well..that's one of the main things that sounds so good/real about that SW. There's enough that goes into this to make a ton of threads on.

Routing in protools: * https://www.youtube.com/watch?v=3P47bnLcK3Y

[deleted] 2 points · Sep 2016

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Walnut_Uprising 2 points · Sep 2016

Four to the floor is a disco thing, it's not exactly in fashion, but drummers use it.

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westvann 2 points · Sep 2016

Superb collection! Thank you very much!

TyrannousJack 2 points · Sep 2016

Lots of great information. You're a saint!

jakemurray 2 points · Sep 2016

I had to learn all of this through years of trial and error. You just saved a bunch of kids a whole lot of time. Kudos!

diswest 2 points · Sep 2016

The logical editor in Cubase is very nice tool for this task.

buttaholic 2 points · Sep 2016

no i want to learn how to play ghost notes on my snare in real life. it's too hard.

chaaPow 2 points · Sep 2016

THANK YOU

TwistedDrum5 2 points · Sep 2016

My only correction would be with crash cymbals.

I have two, one on the right, one on the left. Generally only my ride is guaranteed on the right.

When doing a fill, I can hit either, and switch often. Because you can end a fill with the right hand, and crash the left cymbal. So I'm not sure about always programming a cymbal crash panning more right.

The best would be to have two cymbal crashes, and pan them right and left for the two different sounds.

Other than that, good advice!

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Karmoon 2 points · Sep 2016

Amazing set of tips.

To add one: study your favourite drummers. Watch them live and watch youtube drum covers.

I have learnt great techniques from studying my favourite drummers.

Made a big difference to my drums.

Letmeholleratya 2 points · Sep 2016

Thank you for this post! This is the kind of thing that makes me appreciate Reddit.

beerdbawng 2 points · Sep 2016

i just bought logic so i'm going to be messing around with old gb files a lot, this should be really helpful! I think the repetitiveness of the drum patterns is a huge stumbling block for me.

[deleted] 2 points · Sep 2016

Thanks for this, these are great tips! I have one question about the hi-hat cymbal that I'm hoping you can answer.

There's the open hi-hat and the closed hi-hat, of course, but there's also the pedal hi-hat. I know that the pedal hi-hat sound is when the drummer just stomps on the hi-hat pedal, but should I be using that sound (at a lower velocity) any time the "drummer" would step on the pedal to go from open hi-hat to closed in a short time?

devwarbeats 2 points · Sep 2016

What are some of your favorite drum samples?

[deleted] 3 points · Sep 2016

I absolutely love the Nashville EZX from Toontrack - just fantastic sounding Rides and Hit Hats, though their examples on the page don't do it nearly justice.

The Metal Machine EZX is also pretty phenomenal due to the crazy number of snares and cymbals

devwarbeats 3 points · Sep 2016

Awesome thanks man. Been messing around with the Metal Machine pack recently myself. Good stuff.

[deleted] 2 points · Sep 2016

Thanks for putting your knowledge into this easy to follow guide, getting a good grasp in the midi drumming is kinda hard especially if you never touch the real instrument and just learn it by trial and error, thank you for this, you're awesome!

[deleted] 2 points · Sep 2016

THANK YOU

kingky0te 2 points · Sep 2016

THANK YOU! YES! THANK YOU!!!!!!

[deleted] 2 points · Sep 2016

This is super useful, thanks!

snoosnoosewsew 2 points · Sep 2016

Do you have some sort of "baseline" velocity that you tend to start a track with? I mean, I'm sure it's different for every sample set / kind of song you're going for but... I've always wondered. I think I usually start with 80-100 and adjust up or down according to the songs's needs - but .. Would it be better to start with something like 50-60 and allow myself more dynamic range?

[deleted] 2 points · Sep 2016

It really depends on the sample set being used and how the velocity curve sounds on that set. That said, for a rock song, I might start out around 70% and vary that a little in the versus and in the chorus, I might kick that up to 90% to lift the choruses. I won't use 100% until some specific dynamic is needed.

motophiliac 2 points · Sep 2016 · hearthis.at/a-just-machine/

This reminds me of a drum program I put together years ago on a DR-660.

Great little drum machine, and I programmed a whole song start to finish minus the snare drum.

I then programmed the alternate drum pad set with snare drums, set up so that the pads round the edge sounded rimmy, and programmed the individual pads with a softer sample at lower velocities.

Took ages, but it meant that I could record a "realistic" snare drum with some cool dynamics.

Woofy92 2 points · Sep 2016

Just want to thank everyone for their tips and suggestions. Much obliged, everyone!

[deleted] 2 points · Sep 2016

added some use suggested edits and an example of the above techniques and ideas.

https://soundcloud.com/user-793053395/velocities-example-1

Baba_Iaga 2 points · Nov 2016

Holy shit, you programmed this? This is amazing!

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jbachman 2 points · Sep 2016

This is awesome! Good stuff

variable_success 2 points · Sep 2016

Sweet deal man, thank you

[deleted] 2 points · Sep 2016

Great info here. A lot of people that are just starting out may have a hard time with this, but just make sure to keep it in the back of your head when you are starting to make a beat. Chopping breaks is great for these concepts because a lot of the time the drummer already does the fills and shuffles and whatnot for you. Whenever you start becoming more rhythmically inclined you'll be able to program your own rhythms with your own drum sounds and not have to rely on a break so much (not knocking using breaks in any way, I've been producing for years and still prefer using them over picking out random drum samples). Also when you get a good ear for tuning the drums you can stack drums on top of each other which REALLY brings out some nice sounds

unclellama 2 points · Sep 2016

my new MIDI-drums-for-rock habit is to tap out 16th notes or something on my desk, while 'humming' the riff or chorus or whatever of the song in my head. record the tapping, and convert the audio to a groove template (in ableton - but i guess most DAW have something similar these days?).

there's the groove template to use for this song - and this song only! smack it heavily onto all drum MIDI, influencing both velocity and timing.

it feels really good, like you're putting a little bit of your own musicality (or lack of...) and current mood into each song.

i really like the tips in the OP also :) try to do most of them to some degree, although laziness can be an issue here...

SevenSixtyOne 1 points · Sep 2016

Absolutely needs this today!

pixel_juice 1 points · Sep 2016

Can anyone point to a good, usable, PDF for working out drum notation offline? I mean yeah, gridlined paper will work, but if there is something better I'd like that.

I need to learn a lot more about drums. :(

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[deleted] 1 points · Sep 2016

From what I've heard it seems like a compressor with a snappy hold + attack and all of the features, then some form of band pass filter and amp, and an easy way to mix them all.

Bad_brahmin 1 points · Sep 2016

Commenting so I don't miss this later. Thank you!

Mentioned_Videos 1 points · Sep 2016

Videos in this thread: Watch Playlist ▶

VIDEO COMMENT
SWA Tutorial - Toontrack's EZrummer (Matching Beats) 3 - ToonTrack EZDrummer. It has a built in library of drum loops you can use as a starting point, plus a feature which allows you to search for loops that closely match what you give it (i.e. The same general rhythm/feel). So you could program a simple b...
Superior Drummer Routing in ProTools 3 - mixing sampled drums is really no different than doing real live drums, only the live mic headache is gone. You still have to route out the instruments via aux channels and use whatever compression, EQ, etc that you normally would use. Be SURE to r...
Mystikal - Bouncin' Back (Bumpin' Me Against The Wall) 1 - These are all good tips! My favorite example of drum programming that captures a "real drums" sort of vibe but still sounds obviously "programmed" with good use of dynamics is this old neptunes beat for mystikal: Brings up anothe...
Really Complicated Drumming with Jenns Hannemann 1 - you forgot this one
♫ JEFF PORCARO ♫ - ROSANNA ( ONLY DRUMS ) 1 - Although the sound quality isn't perfect, the isolated drum tracks from Rosanna by Toto, played by Jeff Porcaro, is a great study in drum technique and dynamics.

I'm a bot working hard to help Redditors find related videos to watch.

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Chowbot 1 points · Sep 2016

Do you know of a good iPad interface to program drums that will export midi data to addictive2 or ezdrummer2? I would love to be able to program on the go.

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BilgeXA 1 points · Sep 2016

choose a sequencer editor that is conducive to detailed work (I prefer Fruityloops

How do you do detailed drum programming with FL? If I use the step sequencer I limit the subdivisions I can use so I might not be able to insert a sound in the position I want. If I use the playlist I can't mass edit velocities so I cannot quickly and easily create variations.

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[deleted] 1 points · Sep 2016

Great advice! Thanks :)

One thing I've always wanted to ask someone about drag/flam is does the next note choke the previous note? So say if I'm using a sampler would I use the same snare track for both ornament and main hit so the ornament notes get cut short or would I use a separate track so they all ring out - I have always just plumped for the former but with some snare samples it sounds very wrong (choppy)

I guess you could have a separate sample for ghost notes thats softer that the main snare sample but then when you're doing drag you might get that chopped thing going on again - so do I need to use three samples?

ghostparasites 1 points · Sep 2016

anything for instructional drum machine?

bitchgotmyhoney 1 points · Oct 2016

I'll be back.

ThunderEskimo 1 points · Oct 2016

awesome

ThunderEskimo 1 points · Nov 2016

ty

[deleted] 1 points · Feb 2025

Can one do drum programming only in fl studio?

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